Opera and Ballet Stories in Music    

Lesson 30: The Magic Flute - Act I. Scenes VII-IX.

by Wolfgang Amadeus Mozart

Performer: European Archive


DRAMATIS PERSONAE.

Astrofiammante, QUEEN OF THE NIGHT.

PAMINA, her daughter.

PAPAGENO, a bird-catcher.

TAMINO, a handsome Egyptian prince.

MONOSTATOS, chief slave of the temple.

SARASTRO, high priest of Isis.

PAPAGENA.

Three Ladies-in-Waiting to the QUEEN OF THE NIGHT; Three Youths of the Temple; Priests, Priestesses, Slaves, etc.



ACT I. SCENE VII.

PAPAGENO, TAMINO.



TAMINO.

Have I heard? have I seen her?

Is it true? or is it but a delusion?

Oh, love, direct this hand, this steel!



PAPAGENO.

Hm! hm! hm!



TAMINO.

He was guilty of a falsehood,

And for a punishment he is struck dumb.



PAPAGENO.

Hm! hm! hm! (Lips still padlocked.)



TAMINO.

I can only pity thee,

I have no power to aid.



PAPAGENO.

Hm! hm! hm!



ACT I. SCENE VIII.

THE LADIES. The same.



FIRST LADY.

(Takes the padlock off Papageno's lips.)

The Queen is merciful.

And remits thy punishment through me.



PAPAGENO.

Now may Papageno chatter on?



SECOND LADY.

Yes, chatter, but never lie again.



PAPAGENO.

I never will lie again. No, never.



THE LADIES.

Let this be the pledge.



ALL FIVE.

If every tongue, when falsehood speaking

Could have a lock to make it whist,

Instead or gall and scandal seeking,

Love and friendship would exist.



FIRST LADY.

Presenting a golden flute to Tamino.

The goddess, who thy cause befriends,

To thee this noble present sends:

Its wondrous music has the power

To guide thee safe in danger's hour.



SECOND LADY.

The bosom's wish it can reveal,

And tell the vow the heart would seal.

Its sounds the wretch's woes remove,

And melt the coldest heart to love.



ALL FIVE.

So, this magic flute is more

Than gold and kingdoms worth:

All grief and sorrow turning

To joy, o'er all the earth.



PAPAGENO.

And now, ladies,

With your leave, I'll go.



THE LADIES.

Thou couldst freely go, but that

The Princess here commands thee

With the Prince to go thy way

Unto Sarastro's tower.



PAPAGENO.

I thank her for the honor

But even from yourselves I've heard

That he's a very tiger:

And that this said Sarastro

Would have me plucked

And roasted for his dogs.



THE LADIES.

Think on the Prince, he will protect thee,

And thou his faithful guide shalt be.



PAPAGENO.

The Prince may risk his royal being.

But I more value mine.

He may repent when all too late:

I'd rather, now, decline.



FIRST LADY.

Nay, take this jewel, 'tis for thee.

[Gives him the magic flute and bells, which produce a magical sound.]



PAPAGENO.

Eh, eh! What has it got within?



SECOND LADY.

Within thou hear'st that bells are ringing.



PAPAGENO.

Can I play it, lovely ladies?



ALL FIVE.

Oh yes, the birdcatcher himself.

Silver bells and flute of magic.

Shielding all who hear their tones.

Fare thee well, may honor crown.

And may'st thou win a fair renown.



TAMINO AND PAPAGENO.

Fair ladies, tell us now, we pray,

Where we this monster may waylay?



THE LADIES.

Three winged youths will fly before ye,

And point you out the way.

Follow the counsel they may give.

Farewell! Away, away!



TAMINO AND PAPAGENO.

Three youths, with golden wings, will rise

And point us out the way.



THE LADIES.

Fare thee well, to stay were vain,

Farewell, farewell, until we meet again.

[Exeunt all.]



ACT I. SCENE IX.

Egyptian Room. MONOSTATOS, PAMINA, conducted by Slaves.



MONOSTATOS.

Thou pretty little darling one!



PAMINA.

Oh, wretched martyr! direful pain!



MONOSTATOS.

How precious is thy love!



PAMINA.

The pains of death I fear not,

But thou, my mother, pin'st in grief,

With none to bring thy heart relief.



MONOSTATOS.

Ah, slaves there! Let her straight be bound.

[Slaves put chains on Pamina.]

My rage shall sure be sated.



PAMINA.

Oh, let me rather dead be found,

If thus to worse than woe I'm fated.



MONOSTATOS.

Away, and leave us two alone.

[Exeunt slaves.]

    Opera and Ballet Stories in Music    

Lesson 30: The Magic Flute - Act I. Scenes VII-IX.

by Wolfgang Amadeus Mozart

Performer: European Archive

Directions

Study the musical selection for one week.

Over the week:

  • Read the synopsis.
  • Review any vocabulary terms.
  • Read about the composer.
  • Complete the enrichment activities.

Synopsis

The three Ladies-in-Waiting return and remove the padlock from Papageno's mouth. The ladies give Papageno a set of bells and Tamino a golden flute. By the aid of these magical instruments, they will be able to escape the perils of their journey, on which they will be accompanied by three winged youths or genii. CHANGE OF SCENE. A richly furnished apartment in Sarastro's palace is shown. Monostatos, evil overseer of Sarastro's temple, is pursuing Pamina with unwelcome attentions.

Composer

  1. Wolfgang Amadeus Mozart was born in 1756 in Salzburg, Austria. Examine his picture.
  2. Zoom in and find Mozart's country of birth on the map of Europe below.
  3. Mozart's father was a teacher and composer, so Mozart was exposed to music from a young age.
  4. At the age of 3, Mozart watched his older sister, Nannerl, learn to play the clavier (a keyboard instrument).
  5. At age 4 or 5, Mozart wrote his first small compositions.
  6. As a youth, Mozart toured Europe with his family and performed as a child prodigy.
  7. Over his short life, Mozart composed many musical works including operas, symphonies, and sonatas.
  8. After suffering from an unknown illness, Mozart died at the age of 35 in 1791.

Enrichment

Activity 1: Recite the Opera Information

  • Recite the name of the composer, the name of the opera, and the act and scene(s) of the opera.

Activity 2: Recite the Dramatis Personae

Read aloud the Dramatis Personae.

  • Astrofiammante, QUEEN OF THE NIGHT.
  • PAMINA, her daughter.
  • PAPAGENO, a bird-catcher.
  • TAMINO, a handsome Egyptian prince.
  • MONOSTATOS, chief slave of the temple.
  • SARASTRO, high priest of Isis.
  • PAPAGENA.
  • Three Ladies-in-Waiting to the QUEEN OF THE NIGHT; Three Youths of the Temple; Priests, Priestesses, Slaves, etc.

Activity 3: Listen to the Opera While Reading the Text

  • Select roles to read as desired.
  • Play the opera music softly in the background.
  • Read aloud the scene according to your selected roles.

Activity 4: Narrate the Lesson

  • Narrate the lesson events aloud in your own words.

Activity 5: Follow Along with the Lyrics

Follow along with the German lyrics to the song, 'Hm, hm, hm, hm,' starting at 18:32 and sung by Papageno (whose mouth was sealed with a padlock by the Queen of the Night's ladies), Tamino, and the First Lady in Act I. Scene I.

Study the English translation in parentheses.

PAPAGENO

  • Hm! Hm! Hm! Hm! Hm! Hm! Hm! Hm!... ----- (Papageno can only sing 'Hm!' because his mouth has been padlocked.)

TAMINO

  • Der Arme kann von Strafe sagen, ----- (Poor man, he is punished,)
  • Denn seine Sprache ist dahin. ----- (Because his language is gone.)

PAPAGENO

  • Hm! Hm! Hm! Hm! Hm! Hm! Hm! Hm!...

TAMINO

  • Ich kann nichts tun, als dich beklagen, ----- (I cannot do anything but complain,)
  • Weil ich zu schwach zu helfen bin. ----- (because I'm too weak to help you.)

PAPAGENO

  • Hm! Hm! Hm! Hm!

TAMINO

  • Ich kann nichts tun, ----- (I cannot do anything,)

PAPAGENO

  • Hm! Hm! Hm! Hm!

TAMINO

  • als dich beklagen, ----- (but complain.)

PAPAGENO

  • Hm! Hm! Hm! Hm!

TAMINO

  • Weil ich zu schwach zu helfen bin. ----- (because I'm too weak to help you.)

PAPAGENO

  • Hm! Hm! Hm! Hm!

TAMINO/PAPAGENO TOGETHER

  • Weil ich zu schwach zu helfen bin. Weil ich zu schwach zu helfen bin. ----- (Because I'm too weak to help you. Because I'm too weak to help you.)
  • Hm! Hm! Hm! Hm!

FIRST LADY

  • Die Königinn begnadigt dich! ----- (The queen pardons you!)
  • Entläßt die Strafe dir durch mich. ----- (I'll release you from your punishment.)

PAPAGENO

  • Nun plaudert Papageno wieder? ----- (Now Papageno can talk again?)

FIRST LADY

  • Ja, plauder! -- Lüge nur nicht wieder. ----- (Yes, talk! - Just do not lie again.)

PAPAGENO

  • Ich lüge nimmermehr! Nein! Nein! ----- (I'll not lie again! No! No!)

References

  1. 'The Complete Opera Book' by Gustav Kobbé (CC0 1.0). Gutenberg.org. http://www.gutenberg.org/files/40540/40540-h/40540-h.htm#THE_MAGIC_FLUTE. n.p.